Launching with San Francisco Art Week 2026 (January 17-25, 2026), ICA SF is partnering with SHVO at Transamerica Pyramid Center as part of the Pyramid Arts initiative. In collaboration with programming platform Art at a Time Like This, ICA SF will present landscape artist Lily Kwong’s major new site-responsive project EARTHSEED DOME outdoors in Transamerica Redwood Park.

Lily Kwong’s practice is deeply inspired by the landscapes of the Bay Area, where she grew up among the redwood forests of Northern California. Long before her work took form as large-scale installations, Kwong’s creative language was informed by the rhythms and materials of the natural world, an influence that continues to guide her approach as an ecological artist today.

This project marks Kwong’s first installation in the Bay Area and her most ambitious work to date. Installed in Transamerica’s Redwood Park, EARTHSEED DOME is conceived as a living, site-responsive structure. The work draws together ancestral earth-building practices and pioneering new technologies, exemplifying ICA SF’s capacity to support artists as they push their practice through partnerships and new modes of production.

With 3D Printing Technology and Fabrication developed in collaboration with Atelio and WASP, EARTHSEED DOME is constructed using new robotic arm technology to 3D-print seed-impregnated living soil. During San Francisco Art Week, visitors can watch fabrication begin through the windows of an adjacent unused retail space, as the dome slowly emerges brick by brick over the course of several weeks out in the central site in the park. This visible process foregrounds making, linking advanced fabrication to deeply human ways of working with earth.

Set within Transamerica Redwood Park –– a jewel-box oasis in the heart of downtown San Francisco — the completed structure will continue to evolve over time. As spring and summer unfold, embedded seeds will bloom, transforming the sculpture into a seed dispersal hub that extends beyond the park itself. Visitors are invited to act as pollinators, carrying this living system outward and returning to the site as growth, seasonality, and collective stewardship reshape both the artwork and the city around it.

“As a Bay Area native, my creative consciousness and ecological attunement was completely shaped by this place. I often say I was raised by Redwoods, as these mighty trees felt as much like ancestors as any human being growing up as a small child in Mill Valley. By high school I was at school in the city, being radically inspired by the kinetic quirky, creative culture of SF in the early aughts. I’ve spent over 15 years building installations all over the world, always with the inspiration of the Redwoods in my heart and to be invited by such a revolutionary arts organization to build a site-responsive, ecologically meaningful piece in this iconic grove amongst the trees and community that have given me my creative life, purpose and mission in the world is an honor of a lifetime.” — Lily Kwong