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Exhibitions

Stratagems

Stratagems

Tara Donovan

Launching with San Francisco Art Week 2026 (January 17-25, 2026), ICA SF is partnering with SHVO at Transamerica Pyramid Center as part of the Pyramid Arts initiative to present large-scale Stratagem sculptures by Tara Donovan, including five works that have never before been shown publicly.

Tara Donovan’s practice is defined by a rigorous engagement with systems of accumulation and transformation. Working with ubiquitous, mass-produced materials—plastic cups, rubber bands, paper plates, and other everyday objects—she subjects them to processes of repetition and aggregation that fundamentally alter our perception of them.

In her most recent body of work, Stratagems, Donovan extends this investigation into a direct dialogue with architecture and the built environment. Constructed entirely from many thousands of recycled CDs, these vertically oriented sculptures function as responsive surfaces, registering subtle shifts in light, atmosphere, and perspective. As daylight changes and weather patterns move across the city, the works continually visually reconfigure our perception of them.

Installed within the glass Annex gallery at Transamerica Pyramid Center, Stratagems enters into an especially resonant exchange with its surroundings. The sculptures mirror the vertical ambition and reflective skin of the skyscraper itself, transforming the gallery into a site where material, architecture, and urban scale converge.

In this way, Transamerica Pyramid Center is not simply a backdrop, but a critical partner in the exhibition of the work — an alignment that exemplifies ICA SF’s nomadic model and its capacity to situate contemporary art in contexts that expand how we experience both art and our city.

“My most recent sculpture series titled Stratagems are deeply connected to skyscraper architecture, both in their immediate verticality and their surface appearance. When ICA SF invited me to be part of their evolution across the city, I could not imagine a more perfect site to bring these works than the soaring Transamerica Pyramid Center. I am always fixated on the ways that sculptures transform space and experience, and in this context, an intention of these sculptures to engage the understanding of urban architecture can be fully realized. The power of ICA SF’s new model is in the ability to situate objects like this in new contexts that can transform our understanding of space and art. I am so thrilled to be a part of this intervention into the city.” — Tara Donovan

Date

January 17–July 31, 2026

TARA DONOVAN

COVER IMAGE

Stratagems (installation view), 2024. CDs, concrete, stainless steel. © Tara Donovan. Courtesy Pace Gallery. Photographer: Melissa Goodwin.

LOCATION

Transamerica Pyramid Center (Annex)

Soon after receiving an MFA from Virginia Commonwealth University in 1999, Tara Donovan obtained her first major museum solo exhibition at the Corcoran Gallery of Art’s Hemicycle Gallery in Washington, D.C. A year later, she participated in the prestigious biennial of the Whitney Museum of American Art in New York. In the early 2000s, for her first major gallery exhibitions at Ace Gallery in New York and Los Angeles, Donovan mounted a series of site-responsive installations, which became representative of her practice. In celebrated works, most notably Transplanted (2001), Nebulous (2002), and Haze (2003), Donovan created sublime gradients of light, color, translucence, and texture using nothing but tar paper, Scotch tape, and drinking straws, respectively. Despite the artificiality of the material, Donovan’s works often take on biomorphic qualities or evoke natural phenomena, from fog and rock formations to fungal blooms and stalagmites. Other works such as Colony (2000), which suggested urban sprawl, gestured to humankind’s mark on the world—the Anthropocene.

Lead support for Stratagems is provided by Transamerica Pyramid Center, A SHVO Property. Major support is provided by LYRA Art Foundation. Additional support provided by Cadogan Tate, Crate & Barrel, the ICA SF Exhibition Fund, and Pace Gallery.